My next botanical art workshop was at The Elora Centre for the Arts in beautiful Elora, Ontario. It was early May and the town was beginning to green up with spring growth.
The Town of Elora
Elora is a quaint little town in Wellington County (Ontario) with many of its original limestone buildings dating from the 1800′s. The town was settled mainly by Scottish pioneers who left their mark on many of the finely crafted limestone buildings. Captain William Gilkison, a sailor and land speculator from Ayrshire, Scotland, founded the town in 1832. Originally named Irvine Settlement, the town was renamed Elora in 1839. It has maintained its old world charm, suitably contrasting with the natural beauty of the surrounding area – in particular the spectacular Elora Gorge and its 80 foot limestone cliffs descending into the Grand and Irvine Rivers. The town is a dream destination for artisans and tourists alike, with an abundance of galleries, live music venues, arts and crafts boutiques and restaurants.
During my visit to Elora I stayed at Drew House bed & breakfast (see below). If you ever get the chance to visit this quaint little town do not miss the opportunity to stay at this enchanting local treasure. It was a joy to catch up with an old friend from many years ago, noted resteurateur, chef and author Roger Dufau, who, with his wife Kathleen, operate Drew House – a popular facility known for hosting spiritual retreats, seminars, cooking classes and community events. Drew House is literally around the corner from the Elora Centre for the Arts so after one of Roger’s famous and never-to-be-forgotten breakfasts, I was able to walk the short distance to get prepared for the day ahead.
Above and below: Drew House
Elora Centre for the Arts
The Elora Centre for the Arts is a dedicated heritage building and charming, historical treasure. The building has been serving the community for more than 160 years and is located in a restored, three-story limestone school house consisting of 10 large classrooms converted to provide over 10,000 square feet of dedicated studio, gallery, and performance space. It is the vision of the ECFTA to “provide a facility that enhances cultural life in the region through the fostering of art practice and presentation, production and reception.”
Botanical Drawing – Apple in Coloured Pencil
We had one day to complete a project from start to finish in coloured pencil, so I chose a multi-toned Honeycrisp apple.
A few students also chose to work on my ornamental gourd project.
Below: My apple project completed with Prismacolor Premier Coloured Pencils. Malus domestica ‘Honeycrisp’.
Below: Ornamental gourd completed using Faber-Castell Polychromos Coloured Pencils.
Prismacolor Premier Coloured Pencils
These are professional-quality, wax-based coloured pencils originated by Berol in 1938 and later manufactured by a company called Sandford in Illinois. They have been around for a long time and are still one of my preferences for botanical work. They come in a range of 132 colours and can be purchased individually or in boxed sets. There is a good general starter set available with twelve pencils. Wax-based pencils tend to be softer than oil-based ones which make them ideal for blending gradations to a smooth finish. Due to their softness, however, they often break easily and it is difficult to maintain a sharp point. Wax-based pencils can be used individually or in combination with oil-based brands such as Faber-Castell Polychromos, which do maintain a sharp point.
Faber-Castell Polychromos Coloured Pencils
The renowned German company, Faber-Castell, is the oldest pencil manufacturer in the world and its Polychromos line of oil-based coloured pencils has been around since 1908. Polychromos (meaning many colours) pencils come in a range of 120 colours and have excellent lightfast pigments that blend well and maintain a sharp point without breaking.
Above: First a light graphite base is established over the apple, followed by a light spray with workable fixative to prevent the graphite from smudging. A light base of Deco Yellow (Prismacolor 1011) was applied over the graphite and burnished with a white pencil.
What is Burnishing?
Burnishing involves applying heavy pressure to the drawing once several layers of colour have been applied. This breaks down and blends the underlying colours to produce a smooth, painted-like finish. Once burnished, the drawing is then usually given a light application of workable fixative and, once dry, another series of layers can be built on top. Burnishing can be done with a white pencil, the lightest colour in the mix you are using, or a colourless blender. I prefer to burnish in light areas with a white pencil and use the colourless blender or blending stump for the darker tones and shadows.
Above: My demo step-by-step apple project for the day.
Above: Orange, vermillion and red colours are added to develop the apple. (Note: A step-by-step project package of the apple is available for purchase on my website – www.spillane-arts.com)
Below: Step-by-step page handouts from start to finish help students to work through each stage of the project. Here Marina is working on the ornamental gourd project using Faber-Castell Polychromos Coloured Pencils.
You could hear a pin drop in the class!
Work in progress.
An apple a day…
Above: Burnishing with a white pencil helps to break down the colour layers and give a more “painterly” look to the subject, rather than it being immediately identified as a colour pencil drawing.
Above and below: The developing glorious gourd. The vibrant colours and patterns and bumpy surface on many of the gourd types make them pleasing choices for botanical drawings.
Below: Some of the finished projects.
My next workshop titled, Magnificent Florals with Coloured Pencils, is on May 25 at the Aurora Cultural Centre in Aurora, Ontario
22 Church St, Aurora, ON.
To register contact Michael Spillane at 905-891-8422
Or call the Aurora Cultural Centre at 905-713-1818
Hope to see you all soon!